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key stage 2/3 |
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John Siddique |
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| Physical
Poetry
Very often poetry is dealt with as a pursuit mostly for the mind. The physicality of poetry, of memory and emotion are often put on one side. For this exercise I usually use either Ted Hughes' poem Hands from Moortown Diary or my own poem fiftyfirstsecond included here. Both poems are very physical and both tell a life story. This exercise is probably one for more imaginative students, I hesitate to use the word able as ability is often little to do with imagination. This piece would be suitable for yr9 or yr10, and possibly a group other than top of English; perhaps a drama or dance group would work quite as well. After having a look at one of the poems, one might get the students to tell something of their own life story, each line matching a mark or observation about their own hand. If you have a very brave group, you can get them to work in pairs working with each other's hands. Or they may tell the story of their mother or father through their hands. Whichever way you choose it is good to work with the idea of someone they know well. The Hughes poem is classic visceral Hughes with a gentle finish. My poem works upon repetition and using the arm as a metaphor and as a repetitive device, which holds up the piece and gives a certain tension. When I work with these pieces I often tell the group that there is no need to make anything up. Tell the truth and try to feel the memories or what it is they are trying to say in the head, the heart and the body part being written about. I also often use the idea, of when you fancy someone how if you brush against them, you say things like; I'm not washing my hand again. To put over the idea of lingering physical memory.
© John Siddique |
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URL http://www.poetryclass.net © 2000 The Poetry Society